MID-EAST FOLK FLUTE IN LOW D (STAIN WOOD)

This satinwood flute is in the key of D and is tuned to the traditional Irish scale. The F# is flat, the A is sharp, the C# is flat, and the bottom D is also quite flat. We designate this tuning as “Traditional” tuning. If you are seeking a flute with standard tuning, please look for flutes labelled “Standard” tuning.

Embark on a musical journey along the Irish coast with this Irish Style Folk Flute crafted from polished satinwood. Its silver-coloured fittings and simple two-piece assembly facilitate the production of traditional Celtic music in a matter of time.

However, it is important to note that this flute may not sound as expected if played with the fingering technique commonly used for whistles. The traditional Irish flute is intentionally tuned slightly flat, with the F# being flat, the A being sharp, the C# being flat, and the bottom D being flat. This tuning was established in the early 19th century and has been a standard for Irish flutes ever since.

There are several theories regarding the origin of these “off” notes in the Irish flute. One theory suggests that flutes were not originally played with “whistle” fingering, while another proposes that the “off” notes are a result of a three-octave tempered scale. A third theory attributes the “off” notes to the method of blowing the bottom notes (G-D) more strongly by flautist Charles Nicholson. Regardless of the specific reason, the traditional tuning for the Irish flute involves slightly flat notes in the F#, A, C#, and bottom D positions.

To properly tune a flute with a slide and embouchure, it is essential to understand the specific tuning system and the fingerings for each note. This knowledge will enable you to produce accurate and expressive music on the flute.

Until you can produce strong, resonant notes across the lower and upper octaves, fret not about tuning. When you are prepared, commence by positioning the tuning slide to produce a robust, full G at the correct pitch. Beginners often exert excessive force on the second octave, resulting in a sharp sound. In contrast, with the flute, adjusting your embouchure is the primary method. Slightly tilting your head up or down, or rolling the flute towards or away from you, can produce the desired effect. Blowing down into the hole flattens notes, while blowing across the hole sharpens them. As your lip muscles strengthen and your embouchure tightens, your tuning will naturally improve.

Adjusting the Head End Cork

If the head end cork shifts, your flute will become out of tune with itself (i.e., low notes not in harmony with high notes). In such a situation, utilize a 1/2-5/8” dowel to apply steady, gentle pressure and move the cork. Ensure that the barrel section remains over the tuning slide to avoid damaging it. The cork is in the correct position when you can play both low B and high B in tune with each other.