MID-EAST DELUXE BALALAIKA PRIMA (WALNUT WOOD)
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The Balalaika Prima, a traditional Russian string instrument, measures approximately 27 inches in length. Its scale length is 430 millimetres, and its body is crafted in the classical triangular shape. The back is slightly bowed and constructed using stave wood, specifically WALNUT WOOD.
The Balalaika strings are tuned above middle C to the following notes: A, E, E (1st-3rd strings). The first string is the thinnest and has more frets than the second and third strings. For accurate tuning, a piano or electronic tuner should be used as a reference. The tension of each tuning peg can be adjusted by tightening or loosening the screw located at the top of the peg. To play, the left hand notes the strings, while the index finger of the right-hand strums high on the soundboard near the neck. The decorative WALNUT WOOD on the soundboard not only enhances its aesthetics but also serves as a protective barrier against the impact of strumming.
The Balalaika is believed to have evolved from the Oriental dombra, which is still widely played in present-day Kazakhstan. The knowledge of the dombra likely spread to Russia through Mongol trade and conquest. After undergoing structural modifications, the Balalaika gained widespread acceptance among Russians. It is often associated with the Russian people’s character, embodying their ability to effortlessly transition between joy and sorrow. Peasant ballads composed for the Balalaika frequently incorporated irreverent humour, occasionally challenging the authority of the time. Consequently, there were instances when the Balalaika was prohibited by both the Orthodox Church and the State. The instrument experienced its peak popularity in the early 18th century.
In the later 19th century, the Balalaika underwent several transformations, including the adoption of its iconic triangular shape. Notably, it is believed that Vassily Vasilievich Andreyev played a pivotal role in transforming the Balalaika from a folk instrument to a concert instrument. Andreyev’s chamber ensemble, subsequently renamed The Great Russian Imperial Balalaika Orchestra, introduced the instrument to various cultures beyond Russia. Additionally, the Balalaika was a common companion of the common people during times of war, serving as a symbol of their resilience and determination.